NEWSHelnwein

Helnwein shows his "Disasters of War" series of paintings (In memory of Francisco de Goya II) at Modernism Gallery in San Francisco.

Governor Arnold Schwarzenegger receives Helnwein at the State Capitol in Sacramento

Together they inspect the hanging of Helnwein's Landscape "Death Valley" (2002 - 2006, oil and acrylic on canvas, 120 x 774cm, 48 x 296 inches) in the Governor's Council Room.

The Virtual Museum of Art at Second Life opened with a Helnwein retrospective. The VMOA is the first virtual Museum that is dedicated to the lifework of a living artist

The governor of Lower Austria Erwin Pröll appoints Helnwein as honorary ambassador of the State of Lower Austria

The Essl Museum of Contemporary Art shows Helnwein works in their anniversary exhibition "Passion for Art - 35 years Essl Museum"

The Montreal Museum of Fine Arts: Helnweins painting "American Prayer" is part of the exhibition "Once upon a Time Walt Disney: The Sources of Inspiration for Disney"

DONALD DUCK ...UND DIE ENTE IST MENSCH GEWORDEN

Helnwein organized the first Museum exhibition tour of The works of Carl Barks through 10 European Museums, between 1994 and 1998.

The show was seen by more than 600 000 people.

One man show at the Fotomuseo -The National Museum of Photography, Bogota

Helnwein's works in the exhibition "Rembrandt to Thiebaud: A Decade of Collecting Works on Paper" in the San Francisco Fine Arts Museum

Ludwig Museum Budapest, Museum of Contemporary Art, „Concept Photography - Dialogues & Attitudes"

The Carl Barks Society awards Gottfried Helnwein the "Goose Egg Nugget Award"

In Recognition of Significant Artistic Contributions to the Disney Duck Genre and the Carl Barks Legacy.

"Face it!" One man show at Lentos Museum of Modern Art Linz

The Helnwein exhibition sets a museum visitor record. Stella Rollig, the director, states: "If anyone from Austrian Fine Art of the last fifty years could be called a star, then there is only one person who meets all the criteria: Gottfried Helnwein"

Julia Pascal writes on April 10 in the New Statesman (UK), under the title:"Nazi Dreaming", about the "Face it"-show:

"Gottfried Helnwein's latest exhibition, "Face It", is the artist's first show in his native Austria since 1985. A retrospective of 40 works from the 1970s to the present, it is more shocking than the Royal Academy's infamous "Sensation" of 1997. Helnwein aims to disturb not with, say, an elephant-dung Madonna, as Chris Ofili did then, but with a far more controversial Virgin. Of all his paintings, the most disturbing is Epiphany (1996), for which he dips into our collective memory of Christianity's most famous birth. This Austrian Catholic Nativity scene has no magi bearing gifts. Madonna and child are encircled by five respectful Waffen SS officers palpably in awe of the idealised, kitsch-blonde Virgin. The Christ toddler, who stands on Mary's lap, stares defiantly out of the canvas. Helnwein's baby Jesus is Adolf Hitler."

Denver Art Museum for Modern and Contemporary Art - "Radar", the Logan Collection